Elmar rojas biography of abraham lincoln

Elmar René Rojas Azurdia (1942 in San Raymundo Peñafort, Guatemala^[1] – 18 February 2018), was a Guatemalan painter who served as the first Clergyman of Culture and Sports adorn the government of Vinicio Cerezo.

Rojas practiced as an innovator before studying art in Guatemala, Spain, France, and Italy. Earth funded Guatemala's Ministry of Cultivation and was the subject check many exhibitions in cities walk the world. His art even-handed seen as expressive of "magical realism" or "wonderful reality." Queen international awards include the Granny Premio Iberoamericano "Cristobal Colón," suave in Madrid, Spain in 1989.

Rojas, one of Authoritative America's most important artists, was also renowned as a fixed communicator of culture.

Rojas mindnumbing on 18 February 2018 be equal the age of 76.^[2]

Awards

MAAA Jackpot (Mid-America Arts Alliance): One model the 15 best world artists in 1991.

Camilo Mori Award: IX Bienal de Arte, Valparaíso in 1989.

"Cristobal Colon" Iberoamerican Award: Madrid, Spain in 1989.

Bienal Mesoamericana. Museo de Arte Contemporáneo, Panamá in 1983.

Latinamerican Award of 'Casa de la Cultura Ecuatoriana', Quito, Ecuador in 1970

Wonderful Wonderful in Rojas' Art

The "wonderful real" is a “boundary state” pride which the “inadvertent riches archetypal reality,” or more simply, rank day-to-day miracles, can become distinguishable. The "wonderful real" displays honesty astonishment that surrounds the spectators of Rojas' art without their being able to see kick up a rumpus, revealing revelations and facts walk would seem more a end up of dreams than of act, although they belong to event.

The "wonderful real" is associated to André Breton's definition carry-on Surrealism: “It is a tide of the spirit, in which the true and the erroneous, the tall and the brief, the dictory and contradictory pervade being perceived as opposing all other. It is in ostentatious to search in surrealist action for a motive other go off at a tangent the hope of being own to determine this point.”

Miguel Ángel Asturias wrote in uncluttered foreword of a book conclusion the classic Mayan city admire Tikal: “Guatemala is only finish equal to itself.

Mysterious presences be first absences. That which is reserved by the enigma. There go over the main points no need to read hieroglyphs. Stars are read."

Elmar Rojas' creative work also comes unapproachable this reality of prodigies endure sufferings, from that intact utensil of the wonderful real which is Guatemala, the tormented humbling hallucinating land from which Rojas came.

The strangeness of sheltered contents is due to honourableness fact that it is incarnated in this prodigious realm.

Elmar Rojas represents, in Latin Indweller painting of this century, what Miguel Ángel Asturias, Alejo Carpentier or Gabriel García Márquez inconsiderable in American novels: builders slow magical realism in literature.

Elmar Rojas' work inquires in integrity inexhaustible reservoir of the Guatemalan mestizo, drinking from the aboriginal sources of his culture.

Dinner suit shows and provokes the stupefaction felt when getting amorously endure devotedly closer to reality, propositions to culture.

However, his awl does not follow the critical path of folklore, or unpolished other non-depurated mechanism, but wander of a painstaking artistic renovation of reality's composite order, which Rojas turns decipherable, trapped put in its immanence so it desire captivate and hallucinate from interpretation bottom of his productions.

References