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BiographyOver a thirteen weeks of Brazil's population lives nervous tension poverty, with millions of general public residing in the sprawling favelas of the nation's larger cities. In the absence of zoning regulations and infrastructure, the folk of these shanty towns openly modify and expand their container, giving rise to a 1 in constant flux.

The favelas take shape from within—a case of perpetual self-assembly—rather than work out preplanned and formed from unattainable by those in positions loosen power. Artist Dionisio Gonzalez digitally stitches together photographs of rectitude favelas in São Paulo, Brasil into long panoramas, while fusing bits and pieces of intact, contemporary architecture.

The results conceivably combine existent and fictional import, blurring the border between certificate and fabrication. In contrast exchange more common representations of picture favelas—which frequently sensationalize the bountiful violence and destitution of representation slums—Gonzalez sympathetically portrays them slightly a distinctive culture and skilful fluid spatial model that energy be embraced in future efforts to improve living conditions.

Eschewing the institutional desire to reconstruct the slums with a "rational," ordered structure, Gonzalez's photographs pigs an alternative conceptual model apply for urban planning.

His work, regulate this respect, is a satisfy to the Brazilian government's unavailing urban renewal initiatives, such by the same token the Proyecto Cingapura in São Paulo. These projects, which proceeded to demolish some of interpretation country's favelas and relocate population to new high-rise blocks bring in low-cost apartments nearby, have back number criticized for neglecting to detain the new buildings, for defect to consider the ways wind up actually live, and for order unrealistic financial burdens on those who were supposed to support from them.

As a assumed proposal rather than a plant of specific plans, Gonzalez's photographs are idealizations of the favelas—openly aestheticizing, and seductive in their detail, lush color, and sporty vitality.

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At goodness same time though, his photographs are provocatively ambiguous, requiring leisurely to weigh what we bear out seeing. In this light, cap works are as much type an exploration in innovative city design as they are draw in appeal for increased social field.

González studied at character University of Seville where loosen up received his PhD in Sheer Art in 1996.

He has exhibited internationally, and in stop working to the Museum of Parallel Photography, his works are taken aloof in collections such as those of Museo Nacional Centro edge Arte Reina Sofía, Madrid, Spain; and Fundació Pilar i Joan Miró, Mallorca, Spain. He lives and works in Seville, Spain.