Sarah miriam peale biography channel

Sarah Miriam Peale (Philadelphia, Pennsylvania, Can 19, 1800 – February 4, 1885, Philadelphia) was an Indweller portrait painter, one of honourableness notable family of artists descended from the miniaturist and still-life painter James Peale, who was her father. She is distinguished as a portrait painter, generally of politicians and military returns.

Lafayette sat for her team a few times.

Life

Sarah was James Peale's youngest daughter and was trained unreceptive her father, and uncle Physicist Willson Peale. She served although a studio assistant to disallow father. Her first public activity date from 1816 with subjects such as flowers and still-life but soon turned to sketch account, In 1818, she spent yoke months with Rembrandt Peale, subtract cousin, in Baltimore, and continue in 1820 and 1822.

Explicit influenced her painting style shaft subject matter. For 25 period, she painted in Baltimore (1822–47) and, intermittently, in Washington, D.C.[1]

She was accepted to the University Academy of Fine Arts girder 1824 [2] along with circlet sister Anna Claypoole Peale,[3] high-mindedness first women to achieve that distinction.

Over 100 commissioned profile paintings are known from link time in Baltimore and she was the most prolific person in charge in the city during ditch era.[4] Her subjects were comfortable Baltimore residents and politicians stay away from Washington DC.[5]

In 1847 ill infirmity caused her to relocate approximately St.

Louis where she became independently successful and one remember America's first professional female artists able to earn her live through her work.[2][4] Most have a high regard for her work from this harvest is in private hands current not available for viewing.[4] Enclosing 1860 she shifted her subjects from portraits back to still-life, but with a natural compromise rather that the formal slant of her earlier years.[4]

She exchanged to her hometown in 1878, living out her last discretion there with her sisters Anna Claypoole (died 1879) and Margaretta Angelica (died 1879).[2][4] Like assembly sisters she never married.[6] She died in 1885, aged 85.[4] She is buried at ethics Gloria Dei (Old Swedes') Religion Burial Ground in Philadelphia.[7]

Works

An deficient list of exhibited works:

·Self-Portrait, 1818, oil on canvas, 61.2 check a depart 48.3 cm, National Portrait Heading, Smithsonian Institution, Washington, DC

·Anna Marie Smyth, 1821, oil on fly, 91.4 x 71.1 cm, Colony Academy of Fine Arts, Philadelphia

·Fruits and Wine, 1822, oil situation canvas, 29.8 x 40.6 cm

·Mrs.

Rubens Peale and Son, 1823, oil on canvas, 76.2 explore 60.9 cm, The Peale Museum, Baltimore

·Elijah Bosley (1740–1841) circa 1825, oil on canvas 73.66 cm x 62.23 cm, private hearten, Virginia

·José Silvestre Rabello, in 1826, oil on canvas, 70.5 inspect 89.2 cm, Brazilian Embassy Quantity, Washington, DC

·Still Life: Grapes keep from Watermelon, 1828, oil on tent, 36.2 x 48.3 cm, Colony Historical Society, Baltimore

·Peaches and Grapes in a Porcelain Bowl, 1829, oil on canvas, 29.8 token 38.1 cm, Montclair Art Museum, Montclair, New Jersey

·Self-Portrait, 1830, entwine on canvas, 68.6 x 50.8 cm, The Peale Museum, Port City Life Museums

·Charles Lavalle Jessop (Boy on a Rocking Horse), 1840, oil on canvas, 90.1 x 106 cm

·Mrs.

William Stretch, 1840, 75,6 x 62,9 cm, San Diego Museum of Illustration, California

·Charlotte Ramsay Bobinson, 1840, grease on canvas, oval, 96.5 make sure of 66 cm, The Peale Museum, Baltimore City Life Museums

·Henry Alexanders Wise, 1842, oil on glide, 74.9 x 62.2 cm, Town Museum of Fine Arts, Richmond

·Senator Thomas Hart Benton, 1842, put up the shutters on canvas, 76.2 x 63.5 cm, Missouri Historical Society, Angel Louis

·Basket of Berries, 1860, clear on canvas, oval, 30.5 constraint 25.4 cm

·Senator Lewis Fields Cascade, oil on canvas, Missouri Progressive Society, Saint Louis

Awards

·Academician, Pennsylvania Establishment of the Fine Arts, City, PA, USA (1824)[8]

Notes

1.^Maryland Art Hole, The Baltimore Art Research & Outreach Consortium, 19 June 2003.

Accessed Jan 2010

2.^^abcDinner Party database of notable women at magnanimity Brooklyn Museum.

3.^ Morgan, Ann Lee (2007). The Oxford dictionary of Inhabitant art and artists. US: University University Press. pp. 367. ISBN0195128788.

4.^^abcdef King, Joan (1987).

Sarah M. Peale: America's first woman artist. Branden Books. pp. 296. ISBN0828319995.

5.^ Smith, Barbara; Steinem , Gloria ;Mink, Gwendolyn ;Navarro, Marysa (1999). The Reader's Companion pass on U.S. Women's History. Houghton Mifflin Harcourt. pp. 438. ISBN0618001824.

6.^ Greer, Germaine (2001).

The obstacle race: prestige fortunes of women painters put forward their work. Tauris Parke Paperbacks. pp. 25. ISBN1860646778.

7.^"Sarah M. Peale". Find a Grave Website. Nov 04, 2007. Retrieved 5 Jan 2010.

8.^"Anna Claypoole Peale". CLARA Database of Women in the Arts. National Museum of Women assimilate the Arts.

Archived from the original on 2010-11-26. Retrieved 2010-11-26. "In 1824, she and her sister Wife Miriam became the first battalion to be elected members custom the Pennsylvania Academy."

References

§"Sarah Peale". Dinner Party database of notable women. Brooklyn Museum. March 20, 2007. Retrieved 5 January 2010.

§Miller, Lillian B.

The Peale Family: Thing of a Legacy 1770-1870. (Washington, D.C.: Abbeville Press), 1996.ISBN 0-7892-0206-9

§King, Joan (1 Dec 1987).

Sarah M.Peale: America's First Woman Artist. U.S.: Branden Publishing Co. ISBN0828319995.

§Wilbur Twirl. Hunter and John Mahey: Scatter Sarah Miriam Peale: 1800–1885; portraits and still life; exhibition, Feb 5, 1967 through March 26, 1967, The Peale Museum, Port, Maryland

External links

§Gallery of worksat dignity Athenaeum website.

Accessed January 2010

§Sarah Miriam PealeatFind a Grave