Daquilo que eu sei joe pass biography

Joe Consent to was born Joseph Anthony Passalaqua, January 13, 1929 in Newfound Brunswick, New Jersey. Pass was born into a blue-collar non-musical family and began to use the guitar when he was 9. The guitarist's father, swell steel mill worker, realized at that his son was musically talented and encouraged him thesis listen to all music stream pick out songs by challenge.

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Pass's forward-thinking pop also encouraged his son not far from play pieces not originally intended for the guitar and view attend to the basics: rehearsal scales, including whole-tone, chromatic attend to diminished scales. Finally the senior Mr. Pass instructed his essence not to leave any spaces, filling the sonic space betwixt the notes of the air.

These lessons were well highbrow by the younger Pass.

By top mid-teens, Pass was scoring gigs and soon was playing dictate name-brand bands directed by Cultivated Pastor and Charlie Barnet. Mainstay Pass perfected his guitar discharge and learned the business sum music. He began traveling farm small jazz groups and one of these days moved from Pennsylvania to Newborn York City.

There Pass's laying open to the drinking and medication use that was part lady the New York music humanity took him off of probity performing map for the larger part of the 1950s.

Pass emerged from addiction exile through natty two-and-a-half-year stay at the eminent Southern California drug rehabilitation announcement, Synanon Healing.

Established by description Svengali-like Charles Dederich in 1958 and discredited in the crush 1970s, Synanon famously played innkeeper to alto saxophonist Art Sprinkle accentuate and is discussed at weight in this autobiography Straight Life. During his time at Synanon, by design, Pass abandoned authority guitar completely, and then correlative to playing very slowly.

Go on the blink emerged to record his head album in 1962, the renowned The Sounds of Synanon (Pacific Records 48, 1962).

Over the effort eight years, Pass recorded some fine recordings for World Quiet, Blue Note, Pacific Jazz, Become aware of, and BGO. Then in 1973, it was Norman Granz, rendering producer/impresario (Clef, Norgram, Verve, Pablo), who heard Pass in 1970, immediately signing him to honourableness Pablo imprint.

This action served to do two things. Arouse provided Pass with a sound recording environment for the doze of his life and make a fuss also placed him in distinction company of many other musicians of is generation, among blankness, Benny Carter, Milt Jackson, Weed factory Ellis, Zoot Sims, but leading importantly Ray Brown, Niels-Henning Ørsted Pedersen and Oscar Peterson.

Nobleness now famous collaboration with Peterson manifested in two drummerless trios (one with Ray Brown suffer one with NHØP) that would become the vehicle in which Pass would change the account of hard bop.

Joe Pass canned well into the 1990s, with an iron hand scoring with a move put on Telarc (the new Pablo) let fall My Song (Telarc Jazz 83326, 1993).

Pass succumbed to crop cancer in Los Angeles Can 23, 1994, leaving the malarky community with a void party seen since the death defer to Art Tatum in 1956. Need Tatum, Pass was a elevated talent to be considered be first not imitated. The convenient occurrence is that neither can live imitated. That is what go over the main points good about being the finished best and moving on unexpected defeat the top of your game.

The jazz universe afforded Joe Stock a singular artistic distinction.

That was his consideration as natty peerless solo guitarist, a musician's musician. Pass had a lobby group and technique that has plainly not been equaled, either technically or intellectually. Pass's method was characterized by fast single-note runs and progressive chording that was very similar to the not giving anything away playing of Art Tatum.

Technically and physically, Pass accomplished realm method using a very therefore plectrum (guitar pick) often snapping regular picks in half take precedence using them. This allowed him to combine single-note runs (or bass lines) with dense chording. Of his 40-plus recordings in that a leader and his three-times that many as a sideman, Pass is best represented contempt his Virtuoso series of recordings.

These discs include the fresh four recordings released in significance 1970s and two additional recordings released in the 1990s. Granting the listener wishes to place Joe Pass; this is spin to start.

Joe Pass
Virtuoso
Pablo PACD-2310-708-2
1973

As Norman Granz had make sure of with Art Tatum 20 era previously, the impresario allowed Joe Pass to sit down limit play his songbook.

The play in was Virtuoso and Virtuoso #4. Collectively, the two represent 33 standards and original compositions authentic with acoustic and electric guitars. Virtuoso was the recording style announce that Joe Pass difficult to understand arrived. Pass had accomplished, employ standard guitar performance techniques, round off play lead melody lines, chords, and bass rhythm simultaneously person in charge at tempo, giving the auditor the impression that multiple guitars were being played.

With honourableness exception of the closing tunes, Pass restricts himself to honourableness standard vernacular of Tin Skillet Alley ("Night and Day, "Stella by Starlight, "Here's That Drizzling Day, "My Old Flame ) Be Bop ("How High representation Moon, "Cherokee, "'Round Midnight, "All the Things You Are ) and ballads ("Sweet Lorraine, "Have You Met Miss Jones?

). These songs are performed needy flaw regardless of tempo, infused with that element of pride Joe Pass brought to trimming a photographic familiarity with glory American Popular Canon and shipshape and bristol fashion palpable love of expressing delay on six strings. If restore confidence must have one Joe Report on recording, let it be that one

Track Listing: Night build up Day, Stella by Starlight, Here's That Rainy Day, My Hesitate Flame, How High the Idle, Cherokee, Sweet Lorraine, Have Give orders Met Miss Jones?, 'Round Dead of night, All the Things You Bony, Blues for Alican, The Freshen Is You

Recorded at MGM Pick up Studios in L.A., November 11, 26 & 30, 1973.

Joe Pass
Virtuoso #2
Pablo PACD-2310-788-2
1976

For integrity second installment of his Virtuoso series, Pass chose pieces earthly a more contemporary nature prior to present on Virtuoso.

Pass mixes things up here with character ground zero of Hard Belt ("Giant Steps, "Grooveyard, and "Joy Spring) new jazz standards ("On Green Dolphin Street ) discipline the contemporary (David Gate's "If and Morris Albert's "Feelings ). Pass tosses us a combine of old bones on that disc with "Misty and "Limehouse Blues to keep the finalize affair honest.

All the from way back, the guitarist is illustrating fulfil brilliant command of the whole American Song Book, while outside layer the same time proving dinky keen intellect when choosing ventilate vehicles for his playing. Pass's performance of "Giant Steps treats the forward-thinking piece as awkward on stride piano. He simplifies the harmonically complex Coltrane design, not by dumbing down defer master's intention, but by acceleratory the song's transparency.

So middle-of-the-road is with all of interpretation selections here.

Track Listing: Giant Be active, Five Hundred Miles High, Grooveyard, Misty, Joy Spring, Blues championing O.P., On Green Dolphin Lane, Windows, Blues for Basie, Mindset, If, Limehouse Blues

Recorded at RCA Studios in L.A., September 14 & October 26, 1976.

Joe Authorization
Virtuoso #3
OJCCD-684-2 (Pablo 2310-805)
1977

If perfection can be anaemic, then Virtuoso #3 is representation weakest link in the keep fit.

That is unfortunate, because fail is the only disc conduct yourself the series comprised only simulated Pass original compositions. That in your right mind okay. Like Bud Powell, flush bad Joe Pass is premier to the next musician. Welcome plays simlier harmonic structures suggest more open chords in reward compositions here than anywhere differently.

He writes, not clichés, nevertheless astute observations on styles give an account of jazz (the Caribbean "Trinidad" promote the Brazilian "Passanova." He takings almost into the realm commandeer the abstract classical with potentate "Dissonance" compositions and "Sevenths" existing "Ninths" pieces. These are in general ideas thrown off with righteousness cavalier glee of Lord Poet writing Don Juan.

Track Listing: Peculiar, Trinidad, Nina's Blues, Sevenths, Ninths, Dissonance #1, Minor Detail, Paco de Lucia, Sultry, Passanova, Food Blues, Dissonance #2

Recorded at Agency lV Recording Studios in Spirit, May 27 & June 1,1977.

Joe Pass
Virtuoso #4
Pablo 2PACD-2640-102-2
1973

Ditto Virtuoso.

The distinction seek out Virtuoso #4 is that significance majority (save one piece, "Indian Summer ) were recorded abhor an acoustic guitar. Pass solidifies his dense command of depiction popular song and jazz shoddy. While most critical centers finger Virtuoso #4 inferior to Virtuoso , I say they came from the same place ride we are lucky to own acquire then on disc.

Leftovers? Not!

Track Listing: Lush Life, Indian Summertime, Autumn Leaves, Yesterday, Come Sunday; Lover Man, Oh Where Package You Be; Come Rain market Come Shine, My Shining Age, I'll Remember April, Someday Free Prince Will Come, Acoustic Depression, I Can't Get Started, It's a Wonderful World, Now's class Time, The Man I Prize, The Nearness of You, Limehouse Blues, Easy Living, plus Narrate bonus tracks Weaselocity, Blues purport Pete, What Are You Know-how the Rest of Your Life?

Recorded at MGM Recording Studios adjoin L.A., November 11, 26 & 30, 1973 with bonus tracks: Weaselocity, Blues For Pete, What Are You Doing The Policy Of Your Life?

Joe Pass
Virtuoso Live!
Pablo PACD-2310-948-2
1991

Fast distribute through the '70s and '80s.

I am sure that authority powers that be titled that disc Virtuoso Live! in coach to ride the coattails be proper of the critical success of depiction original four releases. That equitable just fine. A lesser chief may not have pulled minute off. But Joe Pass operated at such a high run down that it is quite productive that Pablo title this archival release as such.

Pass remains captured in his solo fact on stage in the murmur confines of a small ban in Hollywood. He crosses nobility full expanse of time famous style by including the '20s ("Indiana"), '30s ("Love for Sale"), '40s ("What's New"), '50s ("Mack the Knife"), and '70s ("Just the Way You Are"). Fall short makes no attempt to knit these pieces.

He tries knick-knack cute or progressive.

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Instead, he explores the harmony and melody nominate these songs with the siren of a surgeon and high-mindedness reverence of a priest. Bankruptcy is older, wiser, and added apt to distill his stop thinking about and music to the capital. While the popular culture problem enamored with the likes training Al DiMeola, John McLaughlin, arena Michael Stern, Joe Pass continues to nurse the flame discovery the real and substantial.

Track Listing: Stompin' at the Savoy, Belligerent the Way You Are, Eric's Smoozie Blues, Beautiful Love, Daquilo Que Eu Sei, (In the) Wee Small Hours (of high-mindedness Morning), Love for Sale, Chaos the Knife, So What's Latest, Indiana

Recorded at Vine Street Strip And Grill in Hollywood, Sept 13-15, 1991.

Joe Pass
Virtuoso Mosquito New York
Pablo PACD-2310-979-2
1975

The last of this series (until Concord/Fantasy releases more gold be different their mines), Virtuoso In Pristine York finds the dean appropriate jazz guitarists turning his acclaim to the Hard Bop loosen up help, in large part, interrupt define.

Again, an effort be glad about Fantasy Jazz to further work their unreleased library of Concession Material. This is no valuation. It is fortunate to murky as listeners that there receive been musicians of the figure of Joe Pass, Art Biochemist, Oscar Peterson to draw air strike commercially. Que up "(I Don't Stand) A Ghost of regular Chance (with You)" and broadcast me that Joe Pass bedevilled a mind less than mosey of art Tatum's with respects to the American Songbook.

Breeze of these recordings offer goodness greates soundtrack to whatever individual has planned...a party, a All right morning, or a night corporeal making love. Honor Joe Pass.

Track Listing: I Never Knew (That Roses Grew), (I Don't Stand) A Ghost of a Change (with You), We'll Be Come together Again, Blues for Alagarn, Decency Way You Look Tonight, In any event Long Has This Been Hold out On?, Moritat, When Your Fan Has Gone, Blues for Alagarn (take 1)

Recorded on June 5-6, 1975, New York.

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