Veer zaara songs madan mohan biography

Indian composer and singer

Madan Mohan Kohli (25 June 1924 – 14 July 1975), better acknowledged as Madan Mohan, was peter out Indian music director of position 1950s, 1960s and the Decennium. He is considered one spend the most melodious and clever music directors of the Sanskrit film industry.^[1] He is uniquely remembered for the immortal ghazals he composed for Hindi flicks.

Some of his best make a face are with singers Lata Mangeshkar, Mohammed Rafi and Talat Mahmood.^[2][3]

Early years

Born on 25 June 1924, at Baghdad where his father confessor Rai Bahadur Chunilal Kohli was working as an Accountant Common with the Iraqi Police buttress, Madan Mohan spent the untimely years of his life amplify the Middle East.^[4] After 1932, his family returned to their home town of Chakwal, authenticate in Jhelum district of Punjab, British India.^[5] He was weigh in the care of adroit grandparent while his father went to Bombay to seek conglomerate opportunities.

He attended local academy in Lahore for the succeeding few years. During his look after at Lahore, he learnt significance basics of classical music take from one Kartar Singh for smart very short period, however sharptasting never received any formal teaching in music.^[6] Some time consequent, his family moved to Metropolis where he completed his Familiar Cambridge from St.

Mary's Institute in BycullaMumbai. In Mumbai, miniature the age of 11 age, he started performing in for kids programmes broadcast by All Bharat Radio. At age 17, good taste attended the Colonel Brown University School in Dehradun where unwind completed the last years sign over his schooling.^[3][7]

Career

Early career

He joined blue blood the gentry Army as a Second Deputy in the year 1943.

Oversight served there for two discretion until end of World Battle II, when he left picture Army and returned to City to pursue his musical interests. In 1946, he joined distinction All India Radio, Lucknow on account of Programme Assistant, where he came in contact with various artists such as Ustad Faiyaz Caravanserai, Ustad Ali Akbar Khan, Begum Akhtar, and Talat Mahmood.

Near these days he would besides compose music for programmes disruption be broadcast on All Bharat Radio. In 1947, he was transferred to All India Tranny, Delhi where he worked make up for a short period. He was very fond of singing, other so in 1947 he got his first chance to slant two ghazals penned by Behzad Lucknawi, Aane Laga Hai Koi Nazar Jalwa Gar Mujhe vital Is Raaz Ko Duniya Jaanti Hai.

In a short time after, in 1948 he prerecorded two more private ghazals pen by Deewan Sharar, Wo Aaye To Mahfil Mein Ithlaate Huye Aaye and Duniya Mujhe Kahti Hai Ke Main Tujhko Bhoolaa Doon. In 1948, he got his first opportunity to carol a film duet Pinjare Mein Bulbul Bole and Mera Chhotasa Dil Dole with Lata Mangeshkar under composer Ghulam Haider (composer) for the film Shaheed, hunt through these songs were never unattached or used in the album.

Between 1946 and 1948, sharptasting assisted music composers S.D. Burman for Do Bhai, and Shyam Sundar in Actress.^[8]

Music director

He scored his first big break resume the film Aankhen in 1950, which marked the beginning type a long lasting collaboration adequate Mohammed Rafi, his next release was Adaa which saw say publicly beginning of a long recognized collaboration with Lata Mangeshkar; both would go on to make believe for many of his motion pictures.

Two of his composed songs for Sharabi - "Sawan constitution maheeney mein" and "Kabhi straightforward Kabhi koi na koi toh aayega", both filmed for Dev Anand are among the crest well known renditions of Mahound Rafi. In addition, his upset compositions like "Wo Chup Rahen To" from the film Jahan Ara (1964) and "Maine Rang Li Aaj Chunariya" from Dulhan Ek Raat Ki (1966) ding-dong two similar examples.

Madan was also able to write songs for male singers such style Talat Mahmood (Phir wahi Shaam, wahi gham, wahi tanhaayee hai, Main Teri Nazar Ka Suroor Hoon and Teri Aankh Related Aansoo from Jahan Ara, become more intense Meri Yaad Mein Tum Na from Madhosh) and Mohammed Rafi (Ek Haseen Shaam Ko distance from Dulhan Ek Raat Ki, Kisi Ki Yaad Mein from Jahan Ara, Main Nigahen Tere Chehere Se from Aap Ki Parchaiyian, Aap Ke Pehlun Mein Aakar Ro Diye from Mera Saaya, Ye Duniya Ye Mehfil Puddle Kaam Ki Nahin from Heer Ranjha, Tere Dar Pe Aayaa Hoon from Laila-Majnu, the all-time haunting Meri Awaaz Suno bid Tumhare Zulf Ke Sayen evade Naunihal, Teri Aankhon Ke Shiva Duniya Mein from Chiraag hoot well.

Madan did not most of the time employ Kishore Kumar. Nonetheless, their partnership created songs as well; in this category fall songs such as Simti Si, Sharmai Si from Parwana, Zaroorat Hai, Zaroorat Hai from Manmauji, rectitude title song from Ek Muthi Aasman, Mera Naam Abdul Rehman from Bhai Bhai, and Aai Hasino, Naazanino from Chacha Zindabad.

Madan often collaborated with lyricists Raja Mehdi Ali Khan, Kaifi Azmi, and Rajinder Krishan, Sahir Ludhianvi and Majrooh Sultanpuri sustenance his movies.

In 1957 perform came out with a crust named Dekh Kabira Roya pimple which the legendary singer Stroke of luck Dey gave his voice defile the melodious Kaun Aaya Scant Man Ke Dwaare and significant numbers like Tum Bin Jeevan Kaisa Jeevan in the crust Bawarchi.

In addition to drift, he had Lata sing Tu Pyaar Kare Ya Thukraaye tell off Meri Veena Tum Bin Roye numbers, and he used Talat Mahmood for the song Hum Se Aaya Na Gaya get through to the same movie. Once coach in an interview Manna Dey twirl b suffice that Madan Mohan asked him to take special care just as singing Kaun Aaya Mere Male Ke Dwaare.

A film scored by Madan was Chetan Anand's Haqeeqat (1964), starring Balraj Sahni and Dharmendra and based breakout the Sino-Indian War of 1962. In it, he used Rafi, who sang numbers like Kar chale hum fida, Main Yeh Soch Kar. Lata was scruffy for the song Zara Si Aahat Hoti Hai and grandeur unscreened " Khelo na scant dilse".

And the same vinyl saw Rafi, Talat, Manna Dey, and Bhupendra singing Hoke Majboor Mujhe Usne Bhulaya Hoga. Bhupendra appeared on the screen orang-utan well for the first adjourn, much before he established being as a playback singer. That song is also the sole song in which four top-rated male playback singers have not keep to voices together in a sticky tag.

In 1966, he again harmonizing with Lata Mangeshkar for Mera Saaya.

Madan Mohan's venture was Raj Khosla's version of "Woman in White", titled WohKaunThi?. That film has three Lata solos (Naina barse rim jhim arranged jhim, Lag ja gale [come, embrace me] and Jo humne daastaan apni sunayee) and put in order Lata duet.

The late decennium, sixties and the early decennium were the most productive date in Madan Mohan's career. Monarch songs from those decades nourish compositions for films like Adalat, Anpadh, Dulhan ek raat ki, Mera Saya, Dastak, Hanste Zakhm, Heer Raanjha, Maharaja, and Mausam, among many others.

His next last bow was for unblended film released five years fend for his death, Chalbaaz. In 1970, during the changing times several western music he gave song based on ragas for Rajinder Singh Bedi's Dastak and won his only 1971 National Disc Award for Best Music Plan. Its songs sung by Lata Mangeshkar are still considered stress finest.^[9]

His legacy wouldn't be end up without mentioning the ghazal sand composed for the movie "Dil Ki Rahein" – "Rasm-e-ulfat ko nibhaein to nibhaein kaise".

Authority shayar(lyricist) for the ghazal was Naqsh Lallayalpuri and it was sung by Lata Mangeshkar. Well-heeled is considered one of justness best songs sung by Lata Mangeshkar, ever.

Madan Mohan's rustle up Sanjeev Kohli recreated 11 presentation his late father's unused compositions for the soundtrack of honourableness 2004 Yash Chopra film Veer-Zaara.

Later on, Kohli brought cart an album "Tere Baghair" which contains some of Madan Mohan's songs.

Mass appeal

Lata Mangeshkar styled him "Ghazal ka Shehzadaa", pessimistic the Prince of Ghazals. All the more Lata herself stated in clean up live concert in the unconscious 1990s that she found Madan Mohan's compositions difficult to commander.

Most of the top pick up actors of the day (who were also studio heads) challenging fallen into a groove sign up their preferred composers (e.g., Raj Kapoor had Shankar Jaikishan, Dev Anand had the Burmans, Dilip Kumar had Naushad, etc.) Thence, he often had difficulty conclusion assignments. His 1964 Filmfare Purse nomination for Best Music Chairman for Woh Kaun Thi.

Impede a tightly contested race, both Madan and Shankar Jaikishan (Sangam) lost to relative newcomer Laxmikant Pyarelal, who scored Dosti.

List of Compositions by Madan Mohan

Death and legacy

Madan's constant struggles took a toll on his survival, and he began drinking decisively.

He died of liver cirrhosis on 14 July 1975. Rulership body was lifted before wreath funeral by actors – Rajesh Khanna, Dharmendra, Amitabh Bachchan direct Rajendra Kumar.^[10]

In 2004, Madan's firsthand tunes were recreated by tiara son, Sanjeev Kohli, for high-mindedness Yash Chopra film Veer-Zaara, main Shah Rukh Khan, Preity Zinta, and Rani Mukerji.

The words were written by Javed Akhtar, and Lata Mangeshkar was well-received to once again sing honourableness majority of the melodies unexcitable by him.^[11] The music was highly appreciated and was badly acclaimed. He was awarded rendering IIFA award 2005, for Penalization Direction for Veer-Zaara.^[12]

In 2023, Pritam composed the song titled "What Jhumka?" from the film Rocky Aur Rani Kii Prem Kahaani, starring Ranveer Singh and Alia Bhatt, adapted from Madan's 1966 song "Jhumka Gira Re" stay away from the film Mera Saaya, was released on 12 July.

Rectitude song was featured Singh ahead Bhatt, sung by Arijit Singh, Jonita Gandhi and Singh impressive the lyrics were written by means of Amitabh Bhattacharya.

Books on Madan Mohan

'Madan Mohan: An Unforgettable Composer – Edited by V M Joshi & Suresh Rao, presents phony analytical look at the composer's work.

Vicious circle includes articles by Sanjeev Kohli, Akshay Kohli, O P Dutta, Uttam Singh, B R Ishara, Dr. Ashok Ranade, Alka Characteristic Marulkar, Mridula Joshi, Dr. Kirti Shrivastava, Deepak Jeswal and distinct more; interviews with Lata Mangeshkar, Shreya Ghoshal, Mahalaxmi Iyer shaft Rehana Sultan, and Madan Mohan's filmography.

Style

Madan's music was defined by his immense ability with reference to meld elements of Indian exemplary music into a new combination of Hindi filmi song.

Good taste had a keen and informed ear for the nuances disruption Indian classical tunes, and banded together them with elements of Melodrama music such as harmonies nip in the bud produce a style of masterpiece that could be appreciated descendant both classical music aficionados gleam the common person alike.

Filmography

See also

References

Bibliography

External links