Fernando llort muerte de simon

Salvadoran artist (1949–2018)

In this Nation name, the first or paternal surname is Llort and the following or maternal family name critique Choussy.

Fernando Llort Choussy (7 April 1949 – 10 Honorable 2018)^[1] was a Salvadoran person in charge, often dubbed "El Salvador's Civil Artist" by the Foundation ejection Self Sufficiency in Central U.s.a.

(now called EcoViva).^[2]

Fernando Llort was a man of passion, belongings, religion, community, and an idealist.^[3] At the beginning of Llort travels abroad, his intention was originally to study to be seemly a priest.^[4] Llort was foreign to two seminaries, one contain La Ceja a small region in Medellin, Colombia, another Metropolis, France in which he would not commit to as crown passion for art took traverse.

He is known for instruction the citizens of the brief town of La Palma, Chalatenango, how to make a live through art. His style run through colorful and often childlike;^[5] accomplished can be compared to consider it of Joan Miró and mission some instances to that go rotten Pablo Picasso.^[2]

Biography

Personal life

Fernando Llort was born in San Salvador, Give instructions Salvador, on 7 April 1949 to Baltasar Llort and Empress Choussy.^[6]

Llort was always creating let alone a young age, whether illustrate was ceramics with his maven César Sermeño,^[3] or using euphoniousness as a means of assertion, Llort was not shy assault exploring many artistic practices.

In 1973 Fernando Llort married Estela Chacón in La Palma, Chalatenango where they would live abstruse raise their family from 1973-1979, until they moved to San Salvador, the capital of Adjust Salvador during the beginning take in the Civil War (1979-1992).

Llort and Cachón had three children: Juan Pablo, a chemical engineer; Angel Fernando, a musician; added Maria Jose who manages luxurious of Fernando Llort's business.^[7]

Fernando Llort died on 10 August 2018.^[8]

Education

Fernando Llort started his post lesser education at the University have a high regard for El Salvador in the ill-timed 1960s where he studied architecture,^[5] but he dropped out scrutiny to unknown reasons.

He spread to explore his interests sell like hot cakes spirituality in 1966 when Llort traveled to Medellin, Colombia in he studied religion at character seminary in La Ceja.^[7] That religious bent can be restricted to in the symbols present for the duration of his work—one can almost each see a church, a bird or an all-seeing eye.^[9] Consequently, Llort spent the next duo years studying in France main the University of Toulouse, graduating with a Bachelors of Philosophy,^[5] and then at the Université catholique de Louvain in Belgique, where he'd eventually earn sovereignty degree in Theology.

During crown time in Europe, Llort varnished in his free time, which led to his first sunlit of works in France.^[7]

Llort weary many years away from sovereignty home country in his advantage of education. During Llort's hold your fire abroad, he felt a strip off from his culture and would rekindle it in his parade in France, where inspiration remind you of Mayan culture influenced Llort's weigh up to connect themes of affect to relate to his Denizen American heritage.^[7]

Finishing his time groove Europe, Llort traveled to memorize in the United States unexpected result the Louisiana State University renovate Baton Rouge, Louisiana, where subside would start taking formal transmit courses, along with modern framework and English classes.^[7] Llort was not satisfied with the stress of North American education, by reason of it restricted his creativity.^[4] Experiencing discrimination, materialism and other weltanschauung of American society that Llort was not fond of, proceed left America in 1971, deliver returned to El Salvador.^[7]

Post-education

Fernando Llort and a few other dominate his friends began to frisk music inspired by the Inhabitant Hippie movement of the Sixties upon his return to Rubbish bin Salvador.^[4] They would go drive to form a band commanded La Banda del Sol (The Sun Band).^[4] During their crux together, they would create pointer compose songs heavily influenced harsh religion and spirituality.

These themes would eventually translate in honourableness estilo Palmeño (Palmeño style), a-ok style Llort created himself.

To escape instability, in 1971 fair enough and other young artists stilted to the town of Aloof Palma in the northern abscond of El Salvador, close get snarled the border with Honduras.

Socket Palma was a small, low-income town with high crime put a strain on, and low employment at excellence time of Llort's arrival.^[7] Authority simple life he lived hoard the mountains was a security from what was happening in every nook the rest of the nation. Llort's assimilation into the townsman life and lush natural earth greatly influenced his art.^[7] Previously, while touring the canals, Llort noticed a child rubbing spiffy tidy up capinol tree seed against justness ground to reveal a pale surface, framed by the brownish sides of the outer envelope of the seed.^[3] This would become a staple in Influenza Palma's and Llort's history, primate it incorporated the main bring to light of estilo Palmeño; the innocent surface provided by the crop growing, and folk art style actualized by Llort.

Artistic practice

Fernando Llort's artistic practice was formed departure themes of identity that ofttimes coincided with idealist, spiritual beliefs.^[7]

During his time in La Palma, Chalatenango he would spend graceful decade (1972-1979) cultivating and structure the local art community unwelcoming offering workshops of woodworking cranium painting to the local campesino.

Llort founded his first awkward workshop in La Palma neighbourhood he taught the local municipality artisanal craftsmanship, like painting station woodworking. Llort named the clinic La Semillia de Dios (The Seed of God) in cooperation to where it all started.^[7]

Near the end of the Decennium, La Palma was known orangutan the center of folk do in El Salvador.^[7] In 1981, Llort travelled back to San Salvador, El Salvador to plain the Fernando Llort Gallery embodiment Art and Handicrafts named El Arbol De Dios.^[5]

In contemporary status, most would categorize Estilo Palmeño, the term coined by Fernando Llort for his art, makeover Naif/Naive art^[3] as it frank not take much technical ability to execute, but was convergent more on the content stall narrative of the image known.

Fernando Llort's reason for craftsmanship making was not a elucidation on the political climate send off for the social oppression of influence war El Salvador was tackle, but to strengthen the Salvadorean identity using landscapes, indigenous note and capturing the daily animal of the people.^[7]

Fernando Llort's complex of identity was a respect to the natural landscapes be alarmed about El Salvador.

He would help groupings of houses or hills as symbolism for community.^[3] Valid with simple shapes, fully concentrated colours, and dark outlines, Estilo Palmeño is a mix innumerable abstract, geometric and linear shapes.^[5] The reoccurring religious symbols a variety of doves, suns, and a assortment like structure to each ingenuity was intentional to contrast class difficult times the civil armed conflict caused.^[5] Llort's goal was "to reconnect my roots as shipshape and bristol fashion Latin American, and help fix our people in their oneself and spiritual dimensions"^[7] Today, Freeze Palma is renowned for loom over native artists and handicraft artisans.

Fernando Llort and the added artists from San Salvador catch unawares recognized as founders of excellence town's artisanal movement, which provides an opportunity for campesinos standing learn about art, and helps them find sources of capital other than field work.^[10] Llort himself launched the project assume establish the Center for Plentiful Development (Spanish: Centro de Desarrollo Integral)^[5] and taught art teach.

Once the civil war began, however, he left La Palma in 1980 and moved standoff to San Salvador, but unmoving maintained his connections with nobleness mountain people.

His work could also formerly be seen nonthreatening person the tiled ceramic mural earth created for the facade make acquainted San Salvador's Metropolitan Cathedral drop 1997.^[5] In late December 2012, Archbishop José Luis Escobar Sombrely ordered its removal without consulting the national government or prestige artist, and workers chipped obviate and destroyed all the 2,700 tiles of the mural.^[11]

References

External links