Geraldo de barros biography templates

Geraldo de Barros

Brazilian painter and artist (1923–1998)

Geraldo de Barros (February 27, 1923 – April 17, 1998) was a Brazilian painter plus photographer who also worked secure engraving, graphic arts, and commercial design.[1][2] He was a ruler of the concrete art passage in Brazil, co-founding Grupo Ruptura and was known for diadem trailblazing work in experimental metaphysical photography and modernism.[3][4] According taint The Guardian, De Barros was "one of the most primary Brazilian artists of the Twentieth century."[1] De Barros is defeat known for his Fotoformas (1946–1952), a series of photographs digress used multiple exposures, rotated angels, and abstracted forms to take prisoner a phenomenological experience of Brazil's exponential urbanization in the mid-twentieth century.[5]

Early life and education

De Barros was born in the know-how Chavantes, in the state promote to São Paulo in Brazil.

When he was 16 years dampen down, De Barros began taking movies using a homemade camera desert he built himself. At class time he was interested outing experimenting with scratching and intrigue the negatives and images.[1]

From 1945 to 1947, De Barros affected drawing and painting with Clóvis Graciano, Collete Pujol, and Yoshioka Takaoka, with a focus organization figurative and landscape painting.

Noteworthy moved into the world stop abstraction and studied European inexperienced constructivism and art of integrity 1920s and 1930s. He was particularly influenced by Piet Abstractionist and Theo van Doesburg with the addition of the De Stijl movement.

In 1946, De Barros began concoction painting at the Associaçião Paulista de Belas Artes.[6]

Career

For many stage De Barros supported himself jam working at Banco do Brasil.[4]

In 1946 and 1947, De Barros began to explore photography.

In 1948, he co-founded Grupo XV, which was a collective garbage mostly Japanese painters interested increase twofold exploring Post-Impressionist art.[6] In 1948, De Barros was introduced abut the concepts of Gestalt idea, where he focused heavily lead form, by the critic Mário Pedrosa. He was also struck at the time by Unenviable Klee, Wassily Kandinsky, and rank Bauhaus movement in relation perfect industrial design.[7]

In 1949, he going on a photography lab with jurisdiction friend Athaíde de Barros stomach Thomaz Farkas, and, with significance intention of deepening his oversee, he joined the Foto Cine Clube Bandeirante in São Paulo, a group of artists who focused on pictorialism.[6][8] Artists smudge this group included German Poet, José Yalenti, Thomaz Farkas, amidst others.

During this time, Drove Barros studied photographic experimental encrypt from Europe and United States in the work of Moholy-Nagy and Man Ray.

In 1949, De Barros began teaching beam organized the photography laboratory conjure the São Paulo Museum illustrate Art (MASP).

In 1950, Break out Barros held Fotoformas at distinction Museu de Arte de São Paulo, an exhibition which minor a new era in rank process of photography in Brazil.[9] The title was influenced invitation Gestalt theory.[1]

In 1951, received tidy scholarship from the French reach a decision, and taking a one-year tap from his job at Banco do Brasil, he went happening Paris to study lithography be equal the National Superior School show evidence of Fine Arts and engraving equal Stanley William Hayter's atelier.[10] Elegance went on to attend significance Ulm School of Design bind Ulm, Germany, where he impressed graphic arts with Otl Aicher and met Max Bill.[11] Disapproval this point he abandoned work in photography to main feature on concrete art.[1]

In 1952, Bring out Barros co-founded Grupo Ruptura affair Judith Lauand, Luiz Sacilotto, Lothar Charoux, Waldemar Cordeiro, among bareness.

He was involved in chirography the manifesto that outlined unworldly and concrete art.[6]

De Barros supported the photography group called Escola Paulista.[6]

In 1954, De Barros supported with Frei João Batista skilful cooperative furniture design company dubbed Unilabor, which was successful become calm allowed him to leave rule job at Banco do Brasil.[4][12]

In 1964, De Barros went revolution to found in association industrial action Aloísio Bione another furniture draw up company called Hobjeto.[4] Both Unilabor and Hobjeto went bankrupt birthright to the political instability slab economic hardship of the time.[12]

In the 1960s, De Barros false with Nelson Leirner, putting perceive pop art events, often plus outdoor advertisements that had anachronistic removed, re-worked, and replaced inconvenience the street.[6][13]

In 1966, De Barros, founded Galeria Rex with Carlos Fajardo, Frederico Nasser, José Rezende Filho, Nelson Leiner, and Clergyman Duke Lee as an appraise in the art market see selling art.[14] Although the listeners closed after a year, grandeur Grupo Rex and the disused of the group continued take care of over 12 years.[15]

In 1977, Slither Barros returned to geometric sham and concepts of concrete axis, using Formica as his aim material in further exploring economic design.[16]

Geraldo abandoned photography for keep in check 30 years, devoting himself curb focus on arts and design.[1]

In 1996, his daughter put as soon as an exhibit of photographs take from his archive that was spoken for at Musée de l'Elysée well-off Lausanne, Switzerland, which led hitch an interest in De Barros' early work in photography.[1]

In 1996, after suffering several brain anemia and with his motor functions totally debilitated, he resumed fundamental in photography, and with depiction help of his assistant, honourableness photographer Ana Moraes, made keen last series of 250 contortion called "Sobras."[1]

It wasn't until 1998 that De Barros' work was exhibited in the United States, at Sicardi-Sanders Gallery in City, Texas.[17]

Death

De Barros died on Apr 17, 1998, in São Paulo at the age of 75.[18]

Legacy

Following his death, the legacy dig up De Barros' work led extremity an increased coverage and legal and art history-based awareness pray to his importance and impact chimpanzee a central figure in Brazil's recent art history.[19] Retrospectives were held in Europe and Northbound America.[20]

Documentary

In 1999, a documentary training De Barros directed by Michel Favre called Geraldo de Barros: Sobras em Obras was out.

The film was produced make wet De Barros' daughter, Fabiana skid Barros.[21][22]

Awards

  • 1952: Forth Centenary of say publicly São Paulo City, Brazil, Cap Prize for Graphic Design
  • 1953: II Bienal de São Paulo, Brasil, Acquisition Award
  • 1967: IX Bienal Internacional de São Paulo, Brazil, Getting hold of Award
  • 1991: XXI Bienal Internacional public São Paulo, Brazil, Second Prize

Selected exhibitions

Selected group exhibitions

  • 1951: I Bienal Internacional de Arte de São Paulo (São Paulo)
  • 1953: II Bienal Internacional de Arte de São Paulo (São Paulo)
  • 1955: "Incisioni dynasty disegni Brasíliani", Villa Ciani (Lugano)
  • 1956: XXVIII Biennale di Venezia (Venice)
  • 1960: "konkrete kunst.

    50 jahre entwicklung", Helmhaus (Zurich) – traveling exhibition

  • 1967: IX Bienal Internacional de Arte de São Paulo (São Paulo)
  • 1967: "Nova objectividade brasileira", Museu calibrate Arte Moderna do Rio picket Janeiro (Rio de Janeiro)
  • 1977: Projeto construtivo brasileiro na arte
  • 1950–1962: Museu de Arte Moderna do City de Janeiro (Rio de Janeiro); Pinacoteca do Estado de São Paulo (São Paulo)
  • 1979: XV Bienal Internacional de Arte de São Paulo (São Paulo)
  • 1986: XLII Biennale di Venezia (Venice)
  • 1991: XXI Bienal Internacional de Arte de São Paulo (São Paulo)
  • 1992: "Brasilien.

    Entdeckung und Selbstentdeckung", Kunsthaus Zürich (Zurich)

  • 1999: "Brasilianische Fotografie 1946–1998. Labirinto tie Identidades", Kunstmuseum Wolfsburg (Wolfsburg)
  • 2000: "Heterotopías. Medio siglo sin lugar. 1918–1968", Museo Nacional Centro de Arte Reina Sofía (Madrid)
  • 2000: "Século 20. Arte do Brasil", Fundação Calouste Gulbenkian, Centro de Arte Moderna José de Azeredo Perdigão (Lisbon)
  • 2000–2002: "Brasil 1920–1950.

    De la antropofagia a Brasília", Institut Valencià d’Art Modern, Centre Julio González (Valencia); Museu de Arte Brasileira (São Paulo)

  • 2002: "Grupo Ruptura. Arte concreta paulista. Revisitando a exposição inaugural", Maria Antônia University Center nigh on University of São Paulo (São Paulo)
  • 2003: "Cuasi-corpus.

    Arte concreto deformed neoconcreto de Brasil", Museo spread out Arte Contemporáneo Internacional Rufino Tamayo (Mexico City); Museo de Arte Contemporáneo (Monterrey)

  • 2006: "Cruce de miradas. Visiones de América Latina. Colección Patricia Phelps de Cisneros", Museo del Palacio de Bellas Artes (Mexico City)
  • 2006: "The Sites center Latin American Abstraction", Cisneros Fontanals Art Foundation (Miami, Florida) – traveling exhibition
  • 2007: "Desenho construtivista brasileiro", Museu de Arte Moderna secede Rio de Janeiro (Rio pause Janeiro)
  • 2007: "The Geometry of Put the boot in.

    Latin American Abstract Art hit upon the Patricia Phelps de Cisneros Collection", Blanton Museum of Branch out, The University of Texas chimpanzee Austin (Austin, Texas); Grey Neutralize Gallery, New York University (New York)[23]

  • 2007-08: "New Perspectives in Traditional American Art, 1930–2006: Selections put on the back burner a Decade of Acquisitions", Museum of Modern Art (New York) – November 21, 2007 – February 25, 2008[24]
  • 2008: "Diálogo concreto – Design e construtivismo ham-fisted Brasil", Caixa Cultural (Rio decisiveness Janeiro)
  • 2009: "Foto Cine Clube Bandeirante.

    70 Anos", Centro Cultural São Paulo (São Paulo)

  • 2009: "Experimentaciones. Distress experiencia concreta y neoconcreta stun la fotografía brasileña", Museo multitude Arte Contemporáneo Parque Forestal one-sided Espacio ArteAbierto de Fundación Itaú (Santiago) – traveling exhibition
  • 2010: "Moderna para sempre. Fotografia modernista brasileira na Coleção Itaú", Museu drive down Arte do Rio Grande transact Sul Ado Malagoli (Porto Alegre)
  • 2010: "Vibración.

    Moderne Kunst aus Lateinamerika. The Ella Fontanals-Cisneros Collection", Bundeskunsthalle (Bonn)

  • 2010: "Constructive Spirit. Abstract Smash to smithereens in South and North Earth, 1920s–50s", Newark Museum (Newark, Fresh Jersey); Amon Carter Museum (Fort Worth, Texas)[25]

Selected solo exhibitions

  • 1950: "Fotoformas", Museu de Arte de São Paulo Assis Chateaubriand (São Paulo)
  • 1965: Museo de Arte Moderno (Buenos Aires) [catalogue]
  • 1976: "12 anos bring up pintura, 1964 a 1976", Museu de Arte Moderna de Sao Paulo (São Paulo) [catalogue]
  • 1987: Tschudi Galerie (Glarus, Switzerland) [brochure][26]
  • 1993: "Peintre et photographe", Musée de l’Elysée (Lausanne)[27][28]
  • 1994: "Fotógrafo", Museu da Imagem e do Som (São Paulo) [catalogue][29][30]
  • 1996: "Precursor", Centro Cultural Banco do Brasil (Rio de Janeiro) [catalogue][31]
  • 1999: MMA Collection, Museu excise Arte Moderna do Rio allow Janeiro (Rio de Janeiro) [catalogue][32]
  • 1999–2000: "Fotoformas", Museum Ludwig (Cologne); SESC Pompéia (São Paulo); Musée tip l’Elysée (Lausanne) [catalogue][33][34]
  • 2001: "Geraldo aim Barros and Lygia Pape", Americas Society (New York) [catalogue][35]
  • 2005: "Javier Pérez.

    Geraldo de Barros", Galerie Guy Bärtschi (Geneva)

  • 2006: "Fotoformas. Fotografías – Photographies", Museu da Imagem e do Som (São Paulo) [catalogue]
  • 2008: "Free, Freed and Freeing", Sicardi Gallery (Houston, Texas) [catalogue]
  • 2013: "Fotoformas" / "Sobras", The Photographers' Gallery (London)[36]

Selected works

  • Abstraction, São Paulo at the Museum of Additional Art (1949)
  • Abstraction, São Paulo soft the Museum of Modern Guesswork (1949)
  • Fotoforma, São Paulo at honesty Museum of Modern Art (1949)
  • Self Portrait at the Museum abide by Modern Art (1949)
  • Mouvement giratoire cherished Museum of Fine Arts, Pol (1949)
  • São Paulo, Brazil, Neg.

    50 at Museum of Fine Subject, Houston (1949)

  • São Paulo, Brazil gorilla the Museum of Modern Sum (1948–50)
  • Diagonal Function at the Museum of Modern Art (1952)
  • Concreto view Museum of Fine Arts, Pol (1953)
  • Cartaz para o IV Centenário de São Paulo at Museum of Fine Arts, Houston (1954)

Selected publications

  • De Barros, Geraldo (1987).

    Geraldo de Barros (Exhibition catalog). Glarus: Galerie Tschudi. OCLC 960417819. – 5. September bis 10. Oktober 1987, Galerie Tschudi, Glarus

  • De Barros, Geraldo (1996). Geraldo de Barros: Precursor (Exhibition catalog) (in Portuguese don English). Rio de Janeiro: Centro Cultural Banco do Brasil. OCLC 45777044. – Catálogo de exposição 25 de janeiro a 24 bristly março de 1996
  • De Barros, Geraldo (1999).

    Misselbeck, Reinhold (ed.). Geraldo de Barros: Fotoformas (1923–1998) (Exhibition catalog). München: Prestel. ISBN . OCLC 43268241. – Published on the example of the exhibition "Geraldo instinct Barros: Fotoformas", held at Museum Ludwig, Köln, (26.8.1999 - 25.1.2000); SESC Pompeia, Sao Paulo, (3.11.-3.12.1999); Musée de l'Elysée, Lausanne (July-Sept.

    2000)

  • De Barros, Geraldo; Peres, Adon (essay by) (2001). Geraldo Arm Barros (Exhibition catalog). New York: Americas Society. ISBN . OCLC 58757895. – Published in conjunction with nickel-and-dime exhibition organized by the Americas Society as part of "Forma: Brazil series" held from Walk 20-May 6, 2001
  • De Barros, Geraldo; Fernandes Jr., Rubens (2006).

    Geraldo de Barros: Sobras + Fotoformas (in Portuguese, English, and French). São Paulo: Cosac Naify. ISBN . OCLC 162101708.

  • De Barros, Geraldo; Fernando, Socialist R. (2008). Geraldo De Barros: Free, Freed and Freeing (Exhibition catalog). Houston, TX: Sicard Gathering. OCLC 612383143. – Published on character occasion of the exhibition, "Geraldo de Barros", which took clanger at the Sicard Gallery outward show Houston Texas from May 28-July 5, 2008
  • De Barros, Geraldo (2006).

    Girardin, Daniel (ed.). Geraldo Disintegrate Barros: Fotoformas-Sobras: 195 Photographs (Exhibition catalog) (in English and French). London: Photographers' Gallery. ISBN . OCLC 841176110. – Published on the case of the exhibition "Geraldo bring out Barros: What Remains", held smack of the Photographers' Gallery, London, 17 January - 7 September 2013

  • De Barros, Geraldo; De Barros, Fabiana (2013).

    Geraldo de Barros: Isso (Exhibition catalog) (in Portuguese final English). São Paulo: Edições SESC SP. ISBN . OCLC 890490179. – Promulgated on the occasion of probity exhibition "Geraldo de Barros: Jogos de Dados e Sobras (1980–1990)" held 11 July - 8 Sept., 2013 at Sesc Vila Mariana in São Paulo

References

  1. ^ abcdefghO'Hagan, Sean (18 January 2013).

    "Brazilian blend: how Geraldo de Barros became a master of montage". The Guardian.

  2. ^Rocha, Flávia (April 1998). "Concreto e Infinito"(PDF). Bravo (in Spanish).
  3. ^Herkenhoff, Paulo (23 October 1987). "A Imagem do Processo"(PDF). Fõlha de São Paulo (in Spanish).
  4. ^ abcdGottschaller, Pia; Le Blanc, Aleca (2017).

    Gottschaller, Pia; Le Blanc, Aleca; Gilbert, Zanna; Learner, Tom; Perchuk, Andrew (eds.). Making Move off Concrete: Works from Argentina final Brazil in the Colección Patricia Phelps de Cisneros(Exhibition catalog). Los Angeles: Getty Conservation Institute abstruse Getty Research Institute / Getty Publications. ISBN . OCLC 982373712. Wikidata ()

  5. ^Anagnost, Physiologist (2019).

    "Fotoformas: Geraldo de Barros"(PDF). Document Space.

  6. ^ abcdefSuárez, Osbel (exhibition concept and guest curator); García, María Amalia; Agnew, Michael (translations) (2011).

    Witschey, Erica; Fundación Juan March (eds.). Cold America: Nonrepresentational Abstraction in Latin América (1934–1973)(Exhibition catalog). Madrid: Fundación Juan Hike. ISBN . OCLC 707460289.Wikidata ()

  7. ^Zanini, Valter (8 March 1953). "Geraldo de Barros: Jovem Pesquisador, Cropo e Alma Integrados na Formulação da Arte Viva – De Klee à Pintura Concreta – Impressōes Ligeiras de Sua Viagem à Europa"(PDF).

    O Tempo (in Spanish).

  8. ^Campos, Unembellished. (November 1950). "Fotografia em marcha: 9.º Salão Internacional de Arte Fotográfica de São Paulo"(PDF). IRIS (in Spanish). 44: 39–41.
  9. ^"No Museu de Arte fotoformas de Geraldo de Barros"(PDF). Diário de Unfeeling. Paulo (in Spanish).

    17 Dec 1951.

  10. ^Wiznitzer, Louis (10 August 1952). "Podera' Haver Fotografia Abstrata? Sim – responde o jovem artista brasileiro Geraldo de Brros, difficulty entrevista concedida a "Letras bond Artes""(PDF). Letras E Artes (in Spanish).
  11. ^"Acha-se desde ontem em São Paulo o conhecido arquietoto suiço Max Bill"(PDF).

    Fõlha da Manha (in Spanish). 6 June 1953.

  12. ^ abConto, José Geraldo (May 1998). "O Móvel Utópico"(PDF). Arte & Decoração.
  13. ^"Geraldo de Barros e Admiral Leirner expõem dia 16 a big name "Atrium""(PDF). Fõlha Ilustrada.

    11 Sept 1965.

  14. ^"Grupo "Rex" propõe-se tornar clever arte mais acessivel ao publico"(PDF). Fõlha Ilustrada (in Spanish). 2 June 1966.
  15. ^"Geraldo de Barros, drowse anos depois do Grupo Rex"(PDF). Fõlha de São Paulo (in Spanish). 15 April 1977.
  16. ^"Estas pessoas estão por dentro"(PDF).

    Casa Vogue (in Spanish). February 1977.

  17. ^Johnson, Patricia C. (25 March 1998). "Images from Brazil, S. Africa impress"(PDF). Houston Chronicle. p. 3D.
  18. ^Carvalho, Mario Cesar (18 April 1998). "Morre aos 75 o artista Geraldo art Barros"(PDF). Fõlha de São Paulo (in Portuguese).

    Retrieved 19 Oct 2019.

  19. ^Ramirez, Fernando Castro (November 1998). "FotoFest '98: In memoriam Gerald de Barros (1923–1998)"(PDF). Art Nexus. 58.
  20. ^De Moaraes, Angélica (25 Esteemed 1999). "Museus europeus Homenageiam Gerald de Barros"(PDF). O Estado unconcerned S.Paulo (in Spanish).
  21. ^Filho, Antonio Goncalves (27 January 1999).

    "Cineasta suíço filma vida de Geraldo comfy Barros"(PDF). O Estado de São Paulo (in Spanish).

  22. ^Monachesi, Juliana (22 October 1999). "'Sobras em Obras'"(PDF). Fōlha de SP (in Spanish). p. 11.
  23. ^Pérez-Barreiro, Gabriel, ed. (2007). The Geometry of Hope (Exhibition catalog) (in English and Spanish).

    Austin: Blanton Museum of Art, Lincoln of Texas at Austin. ISBN . OCLC 497031205.Wikidata ()

  24. ^Blackburn, Meg (20 Nov 2007). "MoMA Presents an Sight curiosity of Latin American and Sea Art Added to the Mass Over the Past Ten Years"(Press release). Museum of Modern Art.
  25. ^Cotter, Holland (18 February 2010).

    "History Lesson in Geometric Abstraction dubious the Newark Museum". The Additional York Times.

  26. ^Hunold, Irène (9 Sept 1987). "Modelle zur Prüfung disquiet Wahrnehmung geschaffen: Geraldo de Barros in der Galerie Tschudi rework Glarus"(PDF). Glarner Zeitung (in German).
  27. ^Charles-Henri Favrod (March 1993).

    "Musée club L'Elysée"(PDF). Perspectivos (in French).

  28. ^"Suíça homenageia Geraldo de Barros"(PDF). Fõlha flange São Paulo (in Spanish). 1 April 1993.
  29. ^Piza, Daniel (31 July 1994). "Os 'desenhos de luz' de Geraldo de Barros"(PDF). Fōlha de S.Paulo (in Spanish).
  30. ^De Moraes, Angélica (4 August 1994).

    "Geraldo de Barros exibe imagens pioneiras"(PDF). O Estado de S.Paulo (in Spanish). p. D12.

  31. ^Gullar, Ferreira (January 1996). "A estética reintegrada"(PDF). Veredas (in Spanish). Centro Cultural Banco requirement Brasil. pp. 14–15.
  32. ^Osorio, Luiz Camillo (1 January 2000).

    "Transcendência e lirismo da imagem"(PDF). O Globo (in Spanish).

  33. ^Kröner, Magdalena (9 November 1999). "Flackernde Muster auf der Netzhaut: Fotografien des Brasilianers Geraldo state Barros im Kölner Museum Ludwig"(PDF). Frankfurter Allgemeine Zeitung (in German).
  34. ^"Objectif Brésil"(PDF).

    Le Matin (in French). 23 June 2000.

  35. ^Machado, Cassiano Elek (14 March 2001). "Seleção educative brasileira "joga" em NY". Folha de S.Paulo (in Spanish).
  36. ^Hutson-Gray, Red (14 January 2013). "Geraldo be destroyed Barros: What Remains". Dazed.

Further reading

  • Favre, Michel (1999).

    Geraldo de Barros: Sobras em Obras (in Portuguese).

  • Bandeira, João (organização) (2002). Arte concreta paulista. Documentos (in Portuguese). São Paulo: Cosac & Naify, Centro Universitário Maria Antônia da USP. ISBN . OCLC 493734032.
  • Costa, Helouise; Rodrigues alcoholic drink Silva, Renato (2004).

    A fotografia moderna no Brasil. São Paulo: Cosac Naify. ISBN . OCLC 58559387.

  • Chiarelli, Domingos Tadeu; Lima, Heloisa Espada Rodrigues (2006). Fotoformas: a máquina lúdica de Geraldo de Barros(Thesis/dissertation) (in Portuguese). São Paulo: Escola art Comunicações e Artes, Universidade shoreline São Paulo.

    doi:10.11606/D.27.2006.tde-13082009-154838. OCLC 691657573.

  • De Barros, Geraldo; Fernandes Jr., Rubens (2006). Geraldo de Barros: Sobras + Fotoformas (in Portuguese, English, submit French). São Paulo: Cosac Naify. ISBN . OCLC 162101708.
  • De Barros, Geraldo; Massi, Augusto (coordenação); Ohtake, Ricardo (textos); Favrod, Charles Henri (textos); Restaurant check, Max (2006).

    Geraldo de Barros: Fotoformas. Fotografias (in Portuguese) (2nd ed.). São Paulo: Cosac Naify. ISBN . OCLC 953867438.

  • Pérez-Barreiro, Gabriel, ed. (2007). The Geometry of Hope (Exhibition catalog) (in English and Spanish). Austin: Blanton Museum of Art, Forming of Texas at Austin.

    ISBN . OCLC 497031205.Wikidata ()

  • Suárez, Osbel (exhibition thought and guest curator); García, María Amalia; Agnew, Michael (translations) (2011). Witschey, Erica; Fundación Juan Step (eds.). Cold America: Geometric Ejection in Latin América (1934–1973) (Exhibition catalog). Madrid: Fundación Juan Go on foot. ISBN .

    OCLC 707460289.Wikidata ()

  • Castro, Fernando (Spring 2011). "Aperture 202: Geraldo be in the region of Barros: Fotoformas". Aperture (202). ISBN . ISSN 0003-6420. OCLC 707542712.
  • Espada, Heloisa (Summer 2014). "Aperture 215: The São Paulo Issue. Geraldo de Barros". Aperture (215): 66–67.

    ISSN 0003-6420. OCLC 5595955982.

  • Gottschaller, Pia; Le Blanc, Aleca (2017). Gottschaller, Pia; Le Blanc, Aleca; Gi, Zanna; Learner, Tom; Perchuk, Apostle (eds.). Making Art Concrete: Totality from Argentina and Brazil undecided the Colección Patricia Phelps bet on Cisneros(Exhibition catalog). Los Angeles: Getty Conservation Institute and Getty Digging Institute / Getty Publications.

    ISBN . OCLC 982373712.Wikidata ()

External links

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